Chapter 10 of 18
The Threat
By Astrid Vaughn · Free to read
This romance is for adults 18+. Read its content warnings.
The roller door went up in the middle of the second bout, and the sound was wrong before I understood why it was wrong, a metal shriek that didn’t belong to Terry’s careful, unhurried hand on the chain.
Terry wasn’t the one who’d pulled it.
Two men came under the door without ducking, which told me something about their height before I’d properly looked at either of them. The whole warehouse changed temperature at once, the way it had the night Otto said the name Reeves and forty men found something urgent to do with their hands. This was worse. The fighters in the ring stopped mid-exchange, gloves still up, both of them turning toward the door before the referee had called anything, before Sana had moved an inch from her folding table.
Kit was already crossing the floor. I had never seen him move that fast, not even the night he’d covered the distance between us and Otto in the arch. Whatever calculation usually slowed him down, weighing a room before he entered it, had simply not been given time to run.
“Curtis,” he said, and the name landed in the room the way Reeves had landed at Arch Nine weeks earlier, except this time the fear had a face attached to it. Unhurried, greying at the temples, dressed like a man who did his shopping at the same three shops every week and had never once been made to explain himself to anyone.
“Kit.” Curtis said it warmly, which was somehow the most frightening thing about him, a warmth with nothing behind it, the kind you’d extend to a dog you’d already decided you might have to put down. Behind him, the second man filled the doorway without saying anything at all. Young, wide through the shoulders, the specific stillness of someone whose only job was being large enough that nobody needed reminding what he was for. “Nice crowd tonight. Good for business, a crowd like this.”
“You don’t come to my nights.” Kit’s voice was flat, controlled, and I could hear, underneath the control, the exact effort it was costing him to keep it there. “That was the arrangement. You send word, I come to you.”
“Word’s been sent for three weeks, Kit. You’ve been slow answering it.” Curtis let his gaze travel the room once, unhurried, the ledger man at the registration table, Sana’s folding table, the ring itself with its two fighters still standing inside the ropes, frozen, gloves lowering by inches. “Mr Reeves doesn’t love being slow-answered. Thought a visit might speed things up. Save everyone the bother of a phone call nobody picks up.”
I had the camera in my hand, the way I always had the camera in my hand. Standing there with my thumb over the record button, I understood I was about to make a decision I wouldn’t be able to take back cleanly either way. Kit’s rule had always been the ring and around it, whatever gives you your film, and this was around it in every sense that mattered. I pressed record and kept the camera low against my hip, filming without seeming to, and if Kit noticed he gave no sign, because whatever was happening in his face right now had no room left over for me.
“How much,” Kit said.
“Six thousand, by the arrangement we’ve always had. Fourteen days.” Curtis said it the way you’d read out a bus timetable, no weight added, which made the weight land harder than shouting would have. “I know you’ll find it. You always do, eventually. Mr Reeves just likes to be reminded, every so often, that eventually isn’t a date on a calendar. It’s a decision you keep making, and decisions can get made differently if the reminder isn’t clear enough.”
“You’ve made it clear enough. You can go.”
Curtis smiled, the warmth of it never once reaching anything above his mouth, and looked past Kit at the ring, at Otto. I hadn’t noticed until that moment that Otto was one of the two fighters frozen inside the ropes, gloves still raised, sweat cooling visibly on him in the sudden quiet.
“Otto,” Curtis said, pleasant, conversational, the way you’d greet a neighbour over a fence. “Heard you didn’t fancy a date with us last month. Shame. You used to be reliable.”
Otto didn’t answer. His jaw was set the exact way it had been the night he told me to turn the camera off, except there was nothing careful about it now, nothing measured. Just a man standing very still because stillness was the only thing keeping whatever was underneath from coming out sideways.
“He works for me,” Kit said, and something in his voice had gone past controlled into something colder, something I hadn’t heard from him before. “You want to remind me about money, you talk to me. You don’t talk to anyone standing in that ring. That was never the arrangement, and you know it wasn’t.”
“Wasn’t a threat. Man can’t say hello?” But Curtis’s eyes had already moved on, taking in the room the way Kit took in everything. I felt them land on me for exactly as long as it took him to decide I wasn’t worth the sentence it would cost him to ask. That was almost worse than being noticed properly would have been. “Fourteen days, Kit. Fourteen. Not fifteen, because fifteen starts feeling like a habit, and Mr Reeves doesn’t like habits he didn’t choose himself.”
He turned before Kit could answer, unhurried, the way he’d entered. The large young man behind him turned with him a half-second later, a unison of movement that told me exactly how many times they’d done this together, in exactly this order, in rooms exactly like this one. The roller door went down behind them with the same wrong metal shriek. For a long moment nobody in the Longshore moved at all, forty people breathing out at slightly different times rather than together, as though the shared exhale itself had been one more thing Curtis had taken from the room on his way out.
“Sana,” Kit said, into the silence, his voice already climbing back toward something that could run a room. “Check Otto’s hands, he’s been holding that guard up too long, it’ll have stiffened. Malik, get the next bout moving in five minutes, people need something else to look at.” He didn’t look at me. I understood, watching him not look at me, that whatever was happening behind his face right now was not something he trusted himself to let me see yet.
Sonny was against the far wall when I finally let myself look for him, wrapped at the knuckles for a bout that clearly wasn’t going to happen now. Malik had positioned himself half in front of the boy the way he’d have blocked a punch, not touching him, just standing where Curtis’s attention would have had to go through him first. Sonny’s appointment the Friday before had gone well, Kit had told me privately, the kind of well that meant a second one already booked rather than any promise of it being finished. I understood, watching him now, exactly how much a night like this could undo in four minutes what three weeks of careful, unbilled kindness had only just begun to build. He wasn’t looking at Curtis’s door anymore. He was looking at Kit, the way you look at the one adult in a burning building who seems to know which way is out.
It took nearly an hour for the room to find its rhythm again. The next bout was thinner, quieter, the crowd’s usual noise replaced by something more like relief every time a punch landed cleanly, ordinary violence standing in gratefully for the kind that had just walked out the door. I filmed almost none of it. I stood near the wall instead, camera down, watching Kit work the room the way he always did: checking on Otto, checking on Sonny, checking on every single person Curtis’s visit might have frightened worse than the usual fear this place ran on.
He found me afterward, once the last fighter had gone, once Frankie had locked the cash box and driven off with a look at me that had none of its usual warmth in it, just a kind of grim confirmation.
“You filmed it,” Kit said. Not a question.
“Yes.”
“Show me.”
I turned the screen toward him. He watched the whole four minutes without saying anything, his face doing nothing I could read, and I braced, the way I’d braced in the office weeks ago, for the demand to erase it.
“Keep it,” he said instead, handing the camera back.
“What?”
“Keep it. Don’t delete it, don’t hand it to your editor, don’t do anything with it yet. Just keep it somewhere safe, and don’t tell me where.” He rubbed a hand over his face, and for the first time all night the exhaustion underneath the control showed all the way through. “If this goes wrong, properly wrong, I want something on record that isn’t just my word against a man who’s never once let anyone photograph him doing what he actually does. I never thought I’d say that to you. I’ve spent eight weeks telling you what not to point that thing at.”
“I won’t do anything with it you haven’t agreed to.”
“I know. That’s the only reason I’m asking you to keep it at all.” He looked at me then, properly, the itemising look gone from it entirely, replaced by something rawer. “Six thousand pounds in fourteen days is not a number I have sitting anywhere convenient, Marlowe. I want you to understand that before you ask me how I’m planning to find it, because I don’t have an answer yet, and I’ve never once not had an answer.”
“Then let’s find one together.”
“That’s not how this works. You don’t get to—“ He stopped himself, visibly, the old instinct to decide for both of us catching in his throat before it could finish the sentence. “I’m not going to tell you it’s not your problem. You watched it happen. You filmed it. It’s already yours whether either of us wanted it to be. I just don’t know yet what I’m asking you to be part of, and until I do, I’d rather you went home and let me think.”
I didn’t argue. I walked to the chicken-shop stop alone for the first time in a fortnight, the N1 running early instead of late for once. Six thousand pounds and fourteen days rode home with me the whole way. So did a warmth with nothing behind it, and Sonny’s face turning to Kit the way you turn to a door you’ve only just started to trust is load-bearing.