Chapter 8 of 18
Rotherhithe Pier
By Astrid Vaughn · Free to read
This romance is for adults 18+. Read its content warnings.
He texted on the second day, not the first, which told me Frankie had judged him correctly. Can you meet me somewhere that isn’t a warehouse. Somewhere with actual daylight in it, for once. I read it three times before I answered, the way I’d read everything from him since the Longshore, checking each sentence carefully for a shape I might have missed the first time.
Where.
The little café by Rotherhithe pier. Two o’clock. I’ll understand if you don’t come.
I came. There was never really a version of that day where I didn’t, whatever careful, professional distance I’d tried to keep intact since the office with the gloves in it. Some decisions get made long before the moment that seems to make them, in whatever quiet, unglamorous stretch of time nobody bothers writing down afterward.
I took the overground rather than the bus, partly because it was faster and partly because I needed the twenty minutes of not thinking that a train allows and a bus, with its constant stopping and starting, never quite does. London slid past the window in its usual unbothered way: a woman walking three dogs at once outside London Bridge, a crane swinging a girder slowly over a half-finished building near Surrey Quays, the whole city getting on with an ordinary Thursday while I sat rehearsing sentences I already knew I wouldn’t use in the order I was practising them.
The café was a narrow, steam-fogged place that did a fry-up till noon and toasted sandwiches after, wedged between a chandlery and a shop that sold nothing I could identify through its cluttered window. Kit was already there when I arrived, at a table by the glass with a view straight down onto the pier and the brown, restless water beyond it. He looked different in daylight than he ever had in the arch or the Longshore, less composed somehow, as though the careful blankness he wore for that world required the specific dark of it to hold together properly. He’d worn a jacket I hadn’t seen before, ordinary, unremarkable, the kind of thing any man on that street might have owned, and it struck me, watching him fold it over the back of his chair, how rarely I’d ever seen him dressed for anywhere except the two buildings that had come to define almost everything I knew about him.
“Thank you for coming,” he said, standing halfway as I sat, an old-fashioned courtesy that looked strange on him and suited him anyway.
“You made it sound in your text like you expected me not to.”
“I expected it to be fifty-fifty. I’ve learned not to predict you with any more confidence than that.” He pushed a mug toward me, already made, already correct, milk and no sugar, which meant he’d remembered from some offhand comment weeks earlier that I hadn’t noticed him filing away. “I’m not ending the filming. I want to say that first, before anything else, because I don’t want you sitting there for the next twenty minutes waiting to hear it.”
Something in my chest loosened that I hadn’t fully registered was clenched. “Why not? You had every right to. You told me yourself, you run this, you get to decide unilaterally.”
“I do. And I spent most of yesterday deciding, and I kept arriving at the same place no matter which way I came at it.” He wrapped both hands around his own mug without drinking from it, the way you hold something for the warmth rather than the contents. “You were right, in the Longshore. About taking the choice away from you. I’ve spent three years making every decision in that building because nobody else was left standing who could, and I forgot, somewhere in there, that you never signed up to be managed the way I manage everyone else who walks through those doors.”
“I appreciate that. I do. But I need to understand what I’m actually choosing, Kit. Properly this time.”
He was quiet long enough that a boat passed the window outside, wake fanning out white against the brown water, and a gull landed on the railing just beyond the glass and studied us both with the specific unbothered interest gulls reserve for people eating something they might be able to steal.
“Danny was two years younger than me,” Kit said, finally. “Good at maths, terrible with money, which is a worse combination than it sounds, because it meant he always understood exactly how badly he was losing and kept playing anyway. He started with an online site, small stakes, the kind of thing that feels harmless right up until it isn’t. By the time I found out how deep it had gone, he’d already borrowed from someone who doesn’t lend the way a bank lends.”
“Reeves.”
“Reeves.” He said the name and didn’t flinch this time, or flinched in some smaller, more private way I only caught because I’d been watching for it. “I tried to pay it off myself, the legitimate way, savings, a second job, and it wasn’t close to enough against the kind of interest Reeves charges when he wants to keep someone exactly where he’s got them. Danny kept borrowing more to cover what he already owed, the way people do when the hole gets too big to climb out of any other way. He died three years ago. An overdose, officially, and officially is where I usually stop the sentence, because the rest of it is mine to carry and I’m not ready to hand it to anyone, even you, even now.”
“You don’t have to hand me all of it.”
“I know. That’s the only reason I can tell you any of it at all.” He looked at me properly then, the itemising look gone, replaced by something that felt, for the first time since I’d met him, entirely undefended. “Reeves didn’t consider the debt finished when Danny died. In his world, debts don’t die with the person who owed them if there’s someone left who can be made to feel responsible for paying them instead. I could have walked away. Plenty of people would have called that reasonable. I couldn’t do it. Danny’s mistakes got made because I wasn’t paying close enough attention to catch them in time, and I decided the debt was mine to answer for, whether or not it was technically mine to owe.”
“So you built the circuit.”
“Because it was the only structure I could think of that let men earn cash honestly, on their own terms, instead of going to men like Reeves the way Danny did. And because running it kept me close enough to Reeves’s world to keep paying down what he decided I owed.” He turned the mug a quarter turn on the table, an old habit I recognised now. “That’s not the whole truth. There are pieces I’m still not telling you. Some of it isn’t only mine to tell. But that’s the shape of it. That’s why the fighters flinch. That’s what you’re choosing to stay near, if you decide to keep coming back.”
I sat with it for a long moment, and tried to find the version of myself that would have listened to this story about anyone else, filed it, framed it, decided objectively whether it made a better film. I couldn’t find her. I’m not sure she’d been in the room since the first night at all.
“Does Vic know any of this,” Kit asked, after a while, watching me the way he watched everything, cataloguing without quite meaning to. “Your editor.”
“He knows there’s a bigger story than the one I pitched him. He doesn’t know the shape of it, and he’s not going to, not from me, not unless you decide you want it told and tell me exactly how.” I meant it, and something in the way I said it must have carried, because the careful watchfulness in his face eased a fraction. “He’s already pushing for a face and a name. I’ve been giving him neither.”
“That’ll cost you eventually. With him, I mean.”
“Probably. I’ve cost myself worse things for better reasons before.” I turned my own mug a quarter turn, an unconscious echo of his habit that I only noticed once I’d already done it. “I’m not choosing the film over you, if that’s what you’re asking without asking it. I don’t think I could, at this point, even if Vic offered me the thing I’ve wanted for four years in exchange for it.”
“I wasn’t asking that.” But something in his face said he had been, at least a little, and that my answer had landed somewhere he’d been braced against without admitting it to himself.
“I’m staying,” I said. “Not because I haven’t understood what you just told me. Because I have, and I’m choosing it anyway, with my eyes open, exactly the way I told you I would.”
“I heard you the first time. I believed you the first time too, if I’m honest, which is most of why I couldn’t make myself end it yesterday no matter how many times I tried talking myself into it.” His mouth curved, briefly, an actual smile this time. “You want to know the actual reason I let you stay that first night, the real one, not the six-weeks-to-decide-what-you-are version I gave you at the time?”
“I do, actually. I’ve wondered about it more than I’ve admitted to you, or to myself, if I’m honest.”
“You asked me who I was before you asked me anything about the circuit. Everyone else who’s ever come near this operation wants to know what it does, what it’s worth, how it works. You wanted to know who was standing at the edge of that light. Nobody’s asked me that directly in longer than I can comfortably count.” He said it simply, without performance. “That’s a dangerous thing to want to know about a man like me, Marlowe. I’d be doing you a disservice if I let you believe otherwise for one more day.”
“I’ve never once believed otherwise. That’s not why I asked.”
“I know.” He held my eyes for longer than either of us seemed willing to be the one to end, the café noise and the fry-up smell falling away into something that felt, for exactly as long as it lasted, like the only two people in Rotherhithe who mattered. “We should go. Frankie’s expecting me back by four, and I’d rather tell him myself that the filming’s continuing before he hears it secondhand and starts planning for a version of this that isn’t happening.”
“What version is that?”
“The one where I actually managed to be sensible for once in my life.” He stood, and for a moment, gathering his jacket, he looked almost like he might reach for my hand across the narrow table, and then didn’t, some old, careful instinct pulling him back before either of us had to decide what it would mean. “Six more weeks, Marlowe. I’m not renegotiating the terms themselves. But I think we both know, now, that the terms were never really the point of any of this.”