Chapter 6 of 16
Ten to Eight
By Celeste Lavery · Free to read
This romance is for adults 18+. Read its content warnings.
The stairs up to Serena Nardi’s office are bolted to the outside of a yellow building on the front at Menaggio, above a shop that sells sunglasses and postcards to Germans, and at ten to eight on the fifteenth of October they were wet, and there was nobody on them but me.
I had a file under my arm. Grey cardboard, soft at the corners, MARISOL — PRATICA down the spine in my father’s pencil. He started it in the June of 2024, the month I came home for good, and in the August he drove me down to this office in the van with the seat belt that sticks and sat with his hat on his knee while I signed my name four times.
Below me the first boat of the morning was coming in from Varenna across water with no wind on it at all, and the lake was doing the thing it does in the middle of October, which is to look like something you could sell.
I had not slept. I want to be accurate about that, because of what was said afterwards. I drove up from the cellar at half past one and sat at the kitchen table until the window went grey, and for the whole of those four hours the transfer deed lay six inches from my left hand: forty per cent, one hundred and eighty thousand euros, Serena’s witnessing already on it, two ruled lines at the bottom with nothing on them.
I did not sign it. I did not put it in the stove either. I left it exactly where it was, which is a decision people do not count as one.
Serena came along the front at five to with a paper bag from the bakery and her keys already out.
“You are on my stairs,” she said.
“I am.”
“At ten to eight.” She stopped on the bottom step and looked up at me over her glasses. “In twenty-one years, everybody who has waited on these stairs before nine has had a letter from a bank in their pocket. Have you had a letter from a bank?”
“No.”
“Then it is Vitali.” She came up past me, close enough that I could smell the bread through the paper. “I told you what to write to her. Nothing before the fruit is in. She can look at your terraces in November like a Christian.”
“It isn’t Vallese.”
The key went into the lock and stopped there.
“The Vercana wine. Has somebody written to you about the declaration?”
“No.”
“Your mother.”
“No.”
“Marisol.”
“I’d rather say it sitting down.”
She got the door open and went in ahead of me and put the light on, and I stood on the landing a second longer than I needed to, because once I went through it the morning stopped being something I was thinking about.
Her office is one room. A desk, two chairs, four metres of shelving with the files standing in year order, and a framed photograph of the land registry at Como in 1961, which she keeps there, she says, to remind people that the building is older than their opinions.
“Sit. Coat off,” she said. “I am going to take mine off, and then you will say it once, in a whole sentence, and I will tell you what it costs.”
She hung her coat, took the pastry out of the bag, put it on the paper and did not eat any of it.
“Now.”
“I want to end the apprenticeship,” I said. “The registered practice. The supervision. Today, if it can be done today.”
Serena has a particular silence. It is not shock. It is a woman going along a shelf in her head.
“Twenty-six months,” she said.
“Twenty-six months and fifteen days.”
“Of thirty-six.” She sat down, and pulled a pad across, and uncapped the pen, and that was how I knew she had decided to take me seriously. “Right. I am going to say the whole of this out loud, and you are not going to tell me you know it already.
“If the supervision ends, the months you have stand — but only if the period is resumed under another registered supervisor within ninety days. Ninety days from today is the thirteenth of January.” She wrote the date and turned the pad round so I could see it, which is a thing she does. “On the fourteenth of January your twenty-six months become nothing. Not disputed. Not appealable. Nothing. You would begin again at zero.”
“I understand.”
“You do not, so I will do the arithmetic. As you stand, you finish the period at the end of July, you sit the examination in Milan in the October, and you are registered before you are twenty-eight. If those months go, you start again in the spring at the earliest and you qualify at thirty-one.” She put the pen down. “You are proposing to spend three years of your working life on a decision you have not explained to me.”
The boat went out again below the window. You can hear it in that room, the change when they put the engine astern.
“There is a second cost and it is nearer. Your co-operative contract requires the technical declarations to carry a registered signature. So does the certification paperwork, twice a year. Rinaldi has signed all of it since the December after your father died, for nothing, and you have never once looked at the bottom of those forms.”
“I looked yesterday.”
“Good. Then you know there are four registered people within an hour of your gate. One is the co-operative’s own man at Domaso, who buys your fruit, which is a conflict I would not let you sign. One is in Sondrio and does not answer his telephone. One is a consultant in Como who charges two hundred euros a visit and has never walked a terrace in his life.” She let that sit. “And one is Rinaldi.”
“Yes.”
“Marisol.” She took her glasses off, which she does perhaps twice a year. “I am obliged to ask and I would ask anyway. Has he done something. Has he touched you, or said anything to you a man in his position should not say.”
“No.” My voice came out very flat. “He has never in two years put a hand on me. That is rather the point.”
She looked at me for about four seconds, and then wrote something down.
“Then I have asked and I will not ask again, and it goes in the note, because in five years somebody may want to know why the girl walked out of her registration in October. Now tell me the sentence, and I will stop you if it is a feeling.”
“He was asked to teach me,” I said, “and he said yes, and everything since has been him keeping his word. All of it. The coffee, the standing at the end of the row, the not saying, the going home at nine. I have spent two years believing a man respected me and it turns out I was an undertaking.” I put my hands flat on my knees because they were doing something. “I haven’t decided anything about him. Write that down too. I don’t know what I want and I will not find out while he is obliged to me, because whatever he does next I won’t be able to read it. So I am taking the obligation away. Every part of it I can reach.”
Serena wrote for a while.
“That is not a feeling. That is a reason, and an expensive one.” She turned the pad back round. “For the avoidance of doubt: you are not dismissing him. You have no contract with him to dismiss. You are releasing him from a supervision he undertook and from the only piece of paper on this earth that requires him to come to your gate. Those are two different documents and you are asking me for the second.”
“Yes.”
“And you have not taken away his ability to sign your declarations. Only his obligation to.” She capped the pen. “He may sign them tomorrow as a favour, and you will have to ask, and you will hate asking. I want that in your head now and not in three weeks in my doorway.”
“It’s in my head.”
“Then I will draft two letters. One to the board, one to the supervisor. They go in the post tonight; he will have his on Friday.”
“I’ll tell him before that.”
She looked up.
“Good,” she said, in the voice of a woman writing a different date in her head.
Then she asked about the transfer deed, because Serena Nardi’s whole religion is that a file should be closed correctly, and I told her it was on my kitchen table, unsigned, and would stay there until the thirty-first of December if it had to.
“Seventy-seven days,” she said. “And write to Vitali yourself. Ask her up on a day of your choosing, in your father’s tasting room and not in a hotel in Como. If you are going to be the one who decides things, you may as well pick the room.”
Scene break
I was back on the hill by half nine and I did what I always do, which is work.
We racked vat one off its gross lees before lunch and I took the numbers myself: 13.4 by volume, free sulphur at eighteen, malolactic under way in three of the four.
And at four o’clock, on the bench in the cellar with the pump running next door, I got the practice book out of the grey file, and ruled a line under the last entry, and wrote the date, and closed it.
Ettore came through with a crate of empties and stopped.
“That is the libretto.”
“It is.”
He put the crate down and did not pick it up again, which is his version of sitting.
“You have given away the only piece of paper in the world that says what you are.”
“I know what I am.”
“Yes,” he said. “And in April, when the certification man comes up that path with his clipboard, he will want it on a form, and what you are will not be on the form.” He looked at the ruled line for a long moment. “You did not ask me.”
“Would you have said yes?”
“No.”
“Then—“
“Then nothing.” He said it hard. “You do not ask me so that I agree with you. You ask me so that I am inside it when it happens instead of finding it on a bench. Thirty years in this cellar I was told. I have had four weeks of being asked and I had got used to it.”
I did not have anything to say to that. He picked the crate back up.
“He will hear it from Menaggio inside two days,” he said, at the door. “Amadei’s nephew does the bread at that office and you were on the stairs at ten to eight.”
“Yes.”
“From you,” Ettore said.
I stood there with the practice book shut under my hand and said nothing, and let a sixty-three-year-old man look at me until he had understood what I was doing, and then watched him go up the yard with the crate on his shoulder.
That is the worst thing I did in October, and I did it by standing still.
Scene break
Theo came down at six, when the light had gone off the water and the terraces had turned the flat blue-grey that means the frost is still four weeks out.
He looked at the gauge on vat one first. He always does the job first.
“Ettore says you were in Menaggio at eight.”
“I was.”
“And that the book is closed.”
“Twenty-six months and fifteen days,” I said. “The board gets the letter tomorrow.”
He took that standing very still, and then did the thing I had not braced for, which was to start solving it.
“There’s a man in Sondrio. He did the trial lots for your father in 2017, he owes me two favours and he’s on the list. If we date the resumption from the first of November there’s no break at all, and the board will take a change of supervisor in a harvest year without asking why—“
“No.”
“Marisol, it is three years.”
“I know exactly what it is. Serena read it to me off a pad.” I made myself keep my voice ordinary. “You have been in this yard two hours and you already have a name, a date and a reason the board won’t ask. That’s the whole thing, Theo. That is the entire thing, right there.”
He stopped.
I have never seen him look at me like that before or since — like a man who has put his hand on a wall he has leaned on for years and found it moving.
“I was trying to help you.”
“You were,” I said. “You always are.”
The pump cut out next door. Neither of us went to see to it.
“Was it last night?” he said.
“It was two years. Last night was only the part where I found out.”
“Then let me say one thing and I won’t say it again.” He set his hands on the edge of the bench. “I would have kept my word to him until December whatever you did. That was mine, not yours, and you have paid three years of your life to take it off me and it was never yours to pay for.”
“That’s the third time this week a man has told me what wasn’t mine to do with,” I said. “My father gave you an instruction about me. You gave me twenty-two minutes on a wall. Now you’d like to hand back my three years. Nobody has once asked.”
“Then I am asking.” He said it too loudly, and heard it, and brought it down. “What do you want me to do?”
“I don’t know.”
“Marisol—“
“I don’t know,” I said, “and it is the first honest sentence anybody has said in this cellar in two years, and I would like to be allowed to stand in it for a while.”
He picked the torch up off the bench, turned it over once, and set it down.
“The pump’s knocking,” he said. “I’ll look at it.”
And he went and looked at it, and I stood in the cold with my father’s cellar book open in front of me and a ruled line in another book in my pocket, and that was how we ended it: with a knocking pump, and no agreement of any kind between us for the first time since the ninth of September two years before.
I came down at six the next morning because I could not lie there any longer.
There was coffee on the wall of the crush pad, in the cup he leaves it in, too hot to hold.
He was on the roof of the cottage in the half-dark with the ladder up and the old gutter off and stacked, doing it properly: the three-hundred-euro job he offered me in September and I told him to patch.
I stood in the yard with the cup burning through my fingers and watched a man who owed me nothing at all take apart the first thing he could find, and I did not know, then, whether I was looking at an answer or a habit.