Chapter 9 of 16
Two Crates
By Celeste Lavery · Free to read
This romance is for adults 18+. Read its content warnings.
He came at half seven with everything in two crates, because that is how much of it there was.
The estate ledgers, 2019 to date. The co-operative statements in a lever-arch file with the tabs cut by hand. The bank folder. His own bank book, which is an actual book, because he has had the same account at the post office since he was nineteen and has never seen a reason to change it. A bundle of invoices from Domaso held with a bulldog clip. And the notebook out of his back pocket, which he put on the table last and squared with the edge, the way he sets everything down.
I had cleared the table and put two coffees on it and turned my father’s chair round so that we were on the same side, which I had thought about for some time.
“Before you start,” he said.
“No.”
“Marisol—“
“No. You can say it at the end. If you say it now it goes over the top of everything and I won’t be able to read a page of this without it.” I opened the first ledger. “Sit down. I’m going to be about four hours.”
I was about five.
Scene break
Here is what is in a set of books when a man has been holding something up with his hands.
The estate’s income for the year to September: two hundred and six thousand, of which the co-operative bulk contract is a hundred and forty-one. Wages: sixty-two. The loan, capital and interest: fourteen thousand one hundred and sixty.
The consultancy invoices from T. Rinaldi, enologo to Le Rive: eleven of them in 2023, nine in 2024, and then nothing. Not one after the December of 2024. I had signed the last of them myself, in the February, in the fog I was in, and I had never once in twenty-two months wondered why no more came.
“You stopped invoicing us.”
“There was no us to invoice. Probate wasn’t through. The estate couldn’t pay a euro out without Serena and Serena couldn’t sign anything without the court, and I wasn’t going to be a creditor in a file about your father.” He said it to the tabletop. “It was twenty-two months. It didn’t kill me.”
“It’s forty-one thousand euros.”
“Thirty-nine and a bit.”
The Domaso bundle was thirteen invoices, one a month, one day a week, twelve hundred gross, from the October of last year to now. A cellar at Domaso I had congratulated him on getting.
And his own book. Which is the part I am least proud of reading and the part I would read again, because I had spent two years being looked after by a man whose entire financial position I could have held in my head in one line: a house in Pianello with nothing owing on it, an eleven-year-old van, and two thousand three hundred and forty euros.
“That’s all of it,” he said.
“Yes.”
“It’s not a tragedy. I own a house. Most men my age in this village don’t.”
“Theo. If the roof of that house goes in January you have two thousand three hundred euros and a vineyard that doesn’t pay you.”
“Then the roof had better hold,” he said, and it was almost a joke, and I nearly let it be one.
I opened the notebook last.
It is not a diary. I want to be clear about that, for his sake, because the version that went round this valley in the spring was that I had read his diary. It is a work notebook: dates, temperatures, densities, four words at a time, a man’s whole method in pencil.
3/10. M.B. tank six. Chiav + ross, Vercana. Fruit better than wine.
24/9. Rain 16mm from 4.05. M. right about the wind. I was going to say pick everything.
12/6. M. off the boards at the crusher. Hand out. Stopped.
And on the ninth of September two years ago, on a page with nothing else on it:
9/9. Fine. Wind NNE. Nothing to do up there today.
I sat with my hand flat on that page for a while, and he let me, and neither of us said a word about it then or since.
At one o’clock he got up and made coffee in my kitchen, because we had been at it for five hours and neither of us had eaten, and he did it without asking where anything was.
He has been in that kitchen perhaps two hundred times in two years and he has never once been in it without a reason. He stood at my stove with his back to me and got the pot going, and I sat at my father’s table with a dead man’s ledgers in front of me and watched him reach up to the second shelf for the cups, and found that I had nothing in my head at all except how much room he took up in it.
Two years I had been calling that gratitude. It had been four days since a woman with a pad in Menaggio wrote down that there was no longer one single piece of paper on this earth obliging him to be standing at my stove.
He put a cup down by my hand without touching it and went back round the table and sat down.
“Ask me the next thing,” he said.
Scene break
We had the argument at about two in the afternoon and it went on for an hour and twenty minutes and it was the best conversation of my life.
I am not going to pretend it was pleasant. He was angry — properly angry, for the first time in two years, not the quiet thing he does but the real one, standing up, with his hands going.
“You want to know what the alternative was,” he said. “The alternative was that in the January the branch writes to head office, head office pulls the file, and Venturini rings me — me, because there is no you on that file until probate clears, there is nobody, there is a dead man and a court in Como — and he says, Teodoro, there is no one paying this, and I say, give me until the harvest. And he does not have to. And you are at that point four months off the funeral and you cannot taste a glass of wine without your throat closing and you are getting up at five to walk the terraces in the dark because you cannot stay in the house.”
“So you decided.”
“There was nothing to decide. There was a hole and I had eleven hundred euros a month.”
“You had eleven hundred euros a month because you took a job you didn’t want, in somebody else’s cellar, on the one day a week you had left.”
“Yes.”
“And you let me tell Ettore you were doing it for yourself.”
“I didn’t let you do anything. You said it in the yard and I didn’t correct you.” He stopped, halfway to the window. “Which is the same thing. All right. Which is the same thing.”
That is the moment I mean. Not the shouting. That — a man stopping in the middle of his own best argument and conceding a point against himself, out loud, in my kitchen.
“Here’s mine,” I said. “You were right about the money and you are still wrong, and I am going to say why once and then I’m going to want an answer.
“You think you took a problem off me. What you actually took was the only two years in my life when I could have learned this. Not the wine — I can do the wine. The other half. Going to a bank and being talked to like a girl and coming home and doing it again. You’ve been to Venturini for me, you’ve been to the co-operative for me, you’ve been to the Comune about the fire clearance for me, and every one of those was a room I should have been in. I’m twenty-six. If you do that until I’m thirty-six, then when you stop — and you will stop, everybody stops — I’ll be forty and I’ll have a vineyard and no idea how any of it works.”
He was quiet.
“So here is the only term I want. Nothing about me is decided without me. Not the money, not the bank, not the buyer, not my career, not what I can bear. You can tell me you think I’m wrong. You can tell me I’m an idiot, you’ve never had any trouble with that. But you do not act on my behalf without my knowing, ever again, not in the smallest thing, not for my own good, and especially not for my own good.”
The fridge cut in behind me. He stood at the window with his back to the room for long enough that I counted it, because I count things, and it was eleven seconds.
“And if the day comes,” he said, “when telling you costs you this place?”
“Then it costs me this place.”
“You say that now.”
“I’ll say it then.”
“Marisol.” He turned round. “I’ve watched three families go off this hillside since I was ten, and one of them was mine, and every one of them went because somebody was being honourable at the wrong moment. I can’t stand here and promise you I’d let you fall.”
“I’m not asking you for a promise about how you feel. I’m asking whether you’ll do it.”
Four more seconds.
“Yes,” he said.
I have thought a great deal since about those eleven seconds and those four, and about the fact that he did not lie to me once in the whole of that conversation, including about the thing he could not promise.
Scene break
The price is the part nobody tells you about.
I made him write the fourteen thousand one hundred and sixty euros up as a loan. Two per cent, repayable out of the estate over six years, first payment the March after next, drawn up properly and lodged with Serena so that there is a piece of paper in a file in Menaggio with both our names on it.
He did not want to. He argued about it longer than he had argued about the pick.
“It was not a loan.”
“I know what it was. That’s why it’s going to be one.” I pushed the sheet across. “Because if it stays a gift then every single thing I do from here is something you paid for, and in ten years, when I’m fifty and you’re sixty-two and we have a bad day, one of us is going to say it out loud. I would rather owe you money than owe you a favour. Money I can finish.”
He looked at the paper for a long time. Then he took the pen and signed it, and I watched something go out of his face while he did it, and I did not take it back, and that is the most expensive thing I have ever done with a biro.
“Now yours,” I said.
“Mine what?”
“You get the same term. It runs both ways or it’s not a term, it’s a leash.” I got the Vallese folder and put it in front of him. “Nine hundred and eighty thousand. Loan cleared, tax cleared, February. The name stays on the bottle while it’s a single label, which is a clause. Three years for me at forty-eight thousand as an ambassador with no technical authority. Three years for you at seventy-eight and the cottage on the lower parcel.” I let him get to the last page. “And it’s conditional on the option going. Released in writing or lapsed on the thirty-first. Those are the actual numbers and I am not going to be a woman who keeps the numbers.”
He read the whole thing without a word. Then he put it down and pushed it back exactly square to the edge of the table.
“Seventy-eight thousand,” he said, “and the cottage you learned to swim off.”
“Yes.”
“She’s good.”
“She’s very good.”
There was one more thing and I had been dreading it since Saturday, and there was no honourable way round it, so I did it badly and fast.
“The technical declaration is on the dresser. It goes to Domaso by the fifteenth of November and there’s nobody’s signature on it but mine, and it needs a registered one, and I am asking you, as a favour, because you are not obliged to do anything for me any more.”
That is the sentence. That is what twenty-six months and fifteen days bought me: having to stand in my own kitchen and ask.
He went and got it off the dresser and read it through, both sides, the way he reads everything. He checked two of my yield figures against the ledger. Then he signed it, and dated it, and put the pen down on the top of it.
“You’d have got that signature from me if you’d asked me from a ditch,” he said.
“That’s not the point.”
“No,” he said. “I know it isn’t.”
It was nearly dark. Five hours of another person’s life in two crates on my table, and a loan note, and a form, and a notebook with a September page in it that had nothing on it but the wind direction.
Nothing was between us any more. Not the will, not the supervision, not the twelve envelopes, not my father — nothing except the actual thing, sitting in the middle of my kitchen where both of us could see it, with no paperwork left to put on top.
I had wanted that for two years. It turned out to be the most frightening room I have ever stood in.