Chapter 6 of 18
Reeves
By Astrid Vaughn · Free to read
This romance is for adults 18+. Read its content warnings.
I didn’t sleep much. I lay in my flat listening to the boiler cycle on and off and turned the word Reeves over in my head the way I’d turned frightened over on the bus home five weeks earlier. This time the shape of it had edges I could almost feel, a name that had made forty men go silent and made Kit’s hands close at his sides like there was nothing safe left to hold.
I told myself I wasn’t going to dig. I’d told myself that before, about other things, and I’ve never once been able to make it true when the not-digging required me to sit still with a question I already had half the tools to answer.
Kit texted at half past seven the next morning, before I’d managed to fall properly asleep or properly wake, one line with nothing before or after it. You got home alright? I looked at it for a long time before I answered. It deserved something more honest than a thumbs up.
I did. I’m sorry about last night. I didn’t mean to put anyone in a position like that.
I know you didn’t. That’s not the same as it not mattering. Otto’s fine, for what it’s worth. He’s tougher than he looked in that arch. A pause, long enough that I’d put my phone down and picked up the kettle before it buzzed again. I’ll tell you what I can, when I can. I need a few days to work out what that is.
Take the days you need. I’m not going anywhere.
I know. That’s sort of the problem. He didn’t explain what he meant by it, and I didn’t ask, because some sentences are better left exactly as unfinished as the person who wrote them intended.
Scene break
I started with the electoral register the next morning, which felt almost absurdly domestic for what I suspected I was looking for. There were eleven Reeveses registered within a five-mile radius of the Longshore and Arch Nine combined. I crossed off the two who were clearly retirees from their electoral history and the one who’d only moved to the address that year, and was left with eight names that told me nothing except that Reeves was, apparently, an unremarkable enough surname to hide comfortably inside.
The electoral register cost me most of a morning and gave me nothing but a list of names too ordinary to argue with. I sat afterward with a cup of tea gone cold beside my laptop, wondering whether I’d already run out of the kind of research that didn’t require asking anyone a question they might notice being asked.
Companies House was more useful, or at least more interesting. A search for licensed betting premises within the same radius turned up a small chain, four shops, trading under three slightly different names, all of them ultimately owned through a holding company registered to a director called S. Reeves. The filings were clean, boringly clean, annual returns on time, accounts that balanced the way accounts are supposed to balance when someone has taken real care that they should. That kind of clean, I’d learned on other stories, was its own kind of tell. Genuinely small businesses were messy. Businesses built to survive scrutiny were tidy in a way that cost money to arrange.
I called Sana Iqbal that evening, not about medical matters, but because in five weeks she’d become the person in that world most willing to talk to me about things adjacent to the point without quite touching it.
“I’m not going to tell you anything about Reeves,” she said, before I’d finished my second sentence, her voice careful in a way I hadn’t heard from her before. “Not because I don’t trust you. Because I’ve made a decision about what I know and don’t know, and it’s kept me safe for three years, and I’m not renegotiating it for a documentary.”
“I’m not asking you to break anything. I just want to understand the shape of it.”
“The shape of it is this.” She paused long enough that I thought she’d hung up. “Men in this city lend money to people who can’t get it any legal way. Interest that would be illegal anywhere it got written down. Places that launder what comes in so it looks like it came from somewhere ordinary. That’s not a secret, Marlowe, that’s just London. I don’t know exactly where Reeves sits in that picture. I know it’s older than the six weeks you’ve been standing in that building. Go looking for the rest yourself, and you’re not protecting Kit by finding it. You’re taking a decision away from him about how much danger comes looking for people he loves.”
The word loves sat between us on the line for a moment neither of us filled.
“I’m one of the people he loves now, in your version of this,” I said, carefully, testing the shape of the sentence the way you’d test ice.
“I didn’t say that.” But she didn’t take it back either. “Be careful, is all I’m saying. Not because anyone’s told me to warn you. Because I like you, and I’ve watched exactly one person in that building try to dig where you’re about to dig, and it went badly enough that I don’t talk about it, ever, to anyone. I’m not about to start with you.”
She hung up before I could ask who. I wrote the exchange down almost word for word, the way I always did, and underlined the word loves twice.
I sat with the phone in my hand afterward, in my own kitchen, the toast I’d made going cold on the counter because I’d forgotten it the moment Sana started talking. I thought about the fighter she hadn’t named, and about the specific weight in her voice when she said it went badly enough that I don’t talk about it, ever. I understood, with the clarity that arrives about ten seconds too late to be useful, that I had just been warned twice in one conversation and had somehow still decided, before she’d even said goodbye, that I was going to keep going anyway.
Scene break
The betting shops themselves were unremarkable from the outside, the kind of shopfront you walk past a hundred times without seeing, fluorescent light and laminated odds boards and a handful of men on stools watching horses run on screens bolted too high on the wall. I found all four of them on foot over two days, working my way along the same stretch of the river I’d already come to know from the outside of a very different kind of building. Each shop sat within an easy walk of either the Longshore or Arch Nine, close enough to matter, far enough apart that no one glancing at a map would think to draw a line between them.
I went into the Deptford branch on a Thursday afternoon under the thin pretence of research for an entirely different, entirely fictional film about high street gambling, and asked the woman behind the counter, carefully, generally, whether business had always been steady around here.
“Steadier than most,” she said, not looking up from restocking betting slips. “We get a lot of regulars. Big stakes some nights, quiet as anything other nights. Owner likes it that way. Says predictable numbers look suspicious.”
“Do you ever meet him? The owner?”
“Once, maybe twice a year. Comes round to check the books himself, which is more than most owners bother with.” She glanced up then, something in my questions finally registering as more than idle. “Why do you ask?”
“No reason. Documentary research. I’m interested in the economics of it, that’s all.”
“Well, you won’t find much economics worth filming in here.” She went back to the slips, and I understood the conversation had ended whether or not either of us said so aloud.
I stood outside the shop afterward longer than I needed to, watching the odds board flicker through its cycle of horses and dogs and a football match somewhere I couldn’t place, and thought about Sana’s voice on the phone, and about Kit’s hands closing at his sides in the arch, and about a business that came back every year to check its own books more carefully than most owners bothered to.
It had started raining again by then, the thin, persistent kind that never quite commits to being weather you’d bother with an umbrella for. I walked the long way home along the river rather than take the bus, past a row of houseboats with their lights coming on one by one against the dusk, past a group of teenagers doing tricks on bikes under a railway bridge that wasn’t Kit’s. I thought, not for the first time, how strange it was that danger and the absence of it could occupy the same five hundred metres of a city without either one leaving a mark the other could see.
I didn’t have proof of anything yet, not in the way a lawyer or a broadcaster’s compliance department would recognise as proof. That’s worth saying plainly, because the version of this where I’d cracked some vast conspiracy open with an afternoon of searches and one uncomfortable phone call would be a better story than the truth. What I had was a shape. A name attached to clean, tidy paperwork and a chain of shops that made more sense as a place to put money than a place to make it, and a fighter’s fear that had nothing rational underneath it except three years of evidence that the fear was earned.
I went home and wrote it all down, every scrap. Then I sat for a long time with my phone in my hand, trying to decide whether calling Kit to tell him what I’d found would be an act of honesty or the exact betrayal he’d warned me, in that flat, frightened voice, not to commit.
In the end I didn’t call. I told myself it was because it was too late, past midnight, an hour that wouldn’t forgive the conversation we’d need to have. That was the version I let myself believe long enough to fall asleep. The truer version, the one I wrote down last, under everything else, was that some part of me was afraid if I called him that night, he’d hear in four sentences exactly how far I’d already gone.
I left my phone face down on the pillow beside me instead, screen dark, his morning message still open in the thread above nothing at all. I lay there listening to the boiler tick through its usual complaints until the room outside my window turned the particular grey that meant London was, reluctantly, going to call it morning again.